Body Mapping

I recently attended a workshop on Vocal Techniques sponsored by my local chapter of National Pastoral Musicians (NPM). Using the Andover Body Mapping Technique, the presenter, Heather Buchanan gave us a new look on how our posture affects us when singing, playing the organ/instruments or directing. Body mapping refers to knowing your body and how the parts of your body move and interact as you sing/play your music. For more information on Body Mapping or to attend a workshop, check out these links:

The Andover Body Mapping Website: http://bodymap.org/

Heather Buchanan’s Body Mapping Website: http://bodymapping.net/

-Antonia

HE IS RISEN! Alleluia, Alleluia!

Jesus Christ is risen today, Alleluia!
Our triumphant holy day, Alleluia!
Who did once upon the cross, Alleluia!
Suffer to redeem our loss. Alleluia!

Hymns of praise then let us sing, Alleluia!
Unto Christ, our heavenly King, Alleluia!
Who endured the cross and grave, Alleluia!
Sinners to redeem and save. Alleluia!

But the pains which He endured, Alleluia!
Our salvation have procured; Alleluia!
Now He rules, eternal King, Alleluia!
Where angels ever sing. Alleluia!

Sing we to our God above, Alleluia!
Praise eternal, as God's love; Alleluia!
Sing in praise, you heavenly host,
Father, Son and Holy Ghost. Alleluia!

Latin carol, 14th century
Lyra Davidica, London 1708
Psalmodia Evangelica, London 1789
Stanza 4: Charles Wesley, 1707-1788

in Just- spring...

Morning has broken,
like the first morning.
Blackbird has spoken,
like the first bird.
Praise for the singing!
Praise for the morning! Praise for them springing,
fresh from the Word

Sweet the rain’s new fall, sunlit from heaven.
Like the first dew fall
on the first grass.
Praise for the sweetness
of the wet garden.
Sprung in completeness where His feet pass.

Mine is the sunlight, mine is the morning.
Born of the one light Eden saw play!
Praise with elation, Praise ev’ry morning.
God’s recreation of the new day!

Written by Eleanor Farjeon in 1931 and published in The Children's Bells anthology under the original title "A Morning Song (For the First Day of Spring)" published by Oxford University Press in 1957. It was written to fit the traditional Gaelic tune "Bunessan".

P.S. The post title is of course from ee cummings

More Liturgical Music Musings

To those of you who may have been put off by my "Liturgical Music Musings" post here is a little more fuel for the fire. In a 3-part article on the Cantica Nova website, Dr. Lucy E. Carroll shares her views on Musicians in Catholic Worship.

In another article, "Singing for the Supper or the Sacrifice?", Dr. Carroll discusses the various composers of Liturgical Music and the appropriateness of these songs for the Mass. Anita Moore, Esq., OPL also has articles to support this subject on her blog V for Victory.

One more tip that I left out of my original post is a tip for the congregation: DO NOT CLAP at the end of Mass for the musicians. This is not a performance and therefore it is not appropriate for you applaud.

Music for the Lenten Season

Music for Lent doesn't always have to be restrictive and funereal. While we are in a penitential state of mind, our music can reflect that state. The Alleluia may be omitted, but our voices raised in song can still inspire us to spiritual introspection. As we journey through these forty days, here is a an excellent website to help with your Lenten music meditations: Cantica Nova. Don't forget to click on the link at the bottom of the their page for a very comprehensive listing of links of suitable choral pieces for Lent with accompanying reviews and specifications.