Why has the music in the Catholic Church gotten so out of hand? The musicians play and sing as if they were putting on a show at the local theater, with music that is written as if it belongs on Broadway, rather than leading the congregation in song in the solemn celebration that it is supposed to be. The music is so rhythmically complex and the melodies disjunctive and discordant that the people cannot and will not sing. As Liturgical Music Directors and Musicians we need to curb this trend and return to the guidelines set forth by Church Doctrine.
The Catechism of the Catholic Church describes the purpose of liturgical music to be prayerful, to include the participation of the congregation and to be mindful of the solemnity of the celebration.
The musician should be mindful of this as well. His or her role at the organ, or the cantor stand, should be to lead and guide the congregation in song. This is not a performance; facial expressions and body language are key in setting the proper tone for the solemnity of the Mass. The organist should keep in mind that HOW the organ is played should be taken into account.
In her blog post, Why I rant, Anita Moore, Esq., OPL says, “At Mass, we are literally at the foot of the Cross...So then, when it comes to deciding what is appropriate at Mass and what is not appropriate, all we really have to do is ask ourselves one question: would this be appropriate at the foot of the Cross?”
Below are my tips and suggestions for both the Liturgical Musician and Musical Director. These were put together after watching and listening to colleagues execute their duties as church musicians.
Tips for the Liturgical Musician:
The Catechism of the Catholic Church describes the purpose of liturgical music to be prayerful, to include the participation of the congregation and to be mindful of the solemnity of the celebration.
The musician should be mindful of this as well. His or her role at the organ, or the cantor stand, should be to lead and guide the congregation in song. This is not a performance; facial expressions and body language are key in setting the proper tone for the solemnity of the Mass. The organist should keep in mind that HOW the organ is played should be taken into account.
In her blog post, Why I rant, Anita Moore, Esq., OPL says, “At Mass, we are literally at the foot of the Cross...So then, when it comes to deciding what is appropriate at Mass and what is not appropriate, all we really have to do is ask ourselves one question: would this be appropriate at the foot of the Cross?”
Below are my tips and suggestions for both the Liturgical Musician and Musical Director. These were put together after watching and listening to colleagues execute their duties as church musicians.
Tips for the Liturgical Musician:
- Mistakes are human; be sure to give yourself enough time to review and discuss the music with the organist/cantor before Mass.
- Knowing your music is very important. Review it, making notes and highlighting your trouble spots, thereby making practice more efficient.
- Regular attendance at rehearsals and practice on your own is crucial.
- You have to be comfortable in front of the people.
- Have a clear and consistent communication with the people.
- Articulation in your speaking and singing is vital.
- Be sure to have a straight posture that is both conducive to singing and shows command.
- The object is to lead the people, not to make it a performance.
- Facial expressions should be kept to a minimum and should be reverential.
- Gestures for inviting the people to sing should be clear and appropriate to the Mass.
- Play and sing the music like a prayer.
- Dynamics, when used correctly, help to make the music more like a prayer.
- The organist/pianist should support the cantors and the people; this is Mass, not a concert performance.
Tips for the Liturgical Musical Director:
- Know your Choral and Solo Voices:
- Children and teens tend to have very high-pitched voices that are frequently off key. While a children’s or teen choir is very nice, the cantor should be an adult with experience.Intonation and pitch problems will result when the voice has too much vibrato and starts to warble. Conversely, the voice without vibrato is not controlled.Encourage singers to use their head-voice, rather than belting with the chest-voice. Belting will result in intonation and pitch problems.Encourage your singers in the choir to listen to each other for blending and tuning.
- Know your instrumentalists
- No matter what the occasion, the instrumentalists should be aware that this is a Mass, not a performance.Make sure that the instrumentalists are playing in tune.The instruments (including the Organ) should not be too loud or overpower the singer(s).
- Select music that is friendly, not only to the musicians and singers, but to the people; they will close their books and mouths if the music is difficult.
- Make rules and ensure that your musicians and singers adhere to them.
- Encourage your musicians to attend rehearsals regularly. Do not play favorites; use your discretion when rewarding your musicians, based on talent and conformity to your rules
7 comments:
Who are you to tell us what we can and cannot sing and do at church? You're a nobody. I think the musical director at your church would take umbridge at your insults to her duties. Don't you think she would know more than you about what is right and wrong in the music selections...after all she is the music director and you're not!
Kathy O. - Denver CO
Dear Kathy,
First, let me thank you for taking the time to respond to my post.
What I have posted to MY blog is MY OPINION! Now where in the post am I TELLING anyone what or what not to do? I merely expressed my opinion then presented some tips that may or may not be helpful. I may be a “nobody” but I am a qualified one in this area; I have degrees in Music and Music Education and part of my curriculum is teaching the liturgy and the proper way to sing it. As a classically trained vocalist, additionally trained in musical direction, I think that my opinions may carry the smallest bit of weight. Nowhere in my post did I specifically disparage any individual, so your suggestion that “… the musical director at your church would take umbridge [sic] at your insults to her duties.” is misplaced. My opinion was very generalized, as I believe that the state of music in the Church is deteriorating.
As for, “Who are you to tell us what we can and cannot sing and do at church?”, please refer to paragraph two of my post. Holy Mother Church tells us “what we can and cannot sing and do in church”! And I am, and write, as one of her faithful.
Hi Antonia,
What a great blog! I just happened to come across you as I was looking for some information. As a Catholic Music Teacher I found your website (The Music Classroom) to be an excellent resource. Your Liturgical Music post was spot on...I rant about this subject myself (I am also a Catholic Church Music Director). People like Kathy are why we have a decline in our church music. Who does she think she is to insult you and your expert opinion? Thank you for supporting "Holy Mother Church." May God Bless you and your work.
Maura, Alaska
Dear Maura,
I am pleased that you liked my webpage and that you thought it to be "an excellent resource." I have personally used many of the links and am gratified to be able to share my compilation with other teachers who may be stuck in planning a lesson.
Your support on the Liturgical Music post is greatly appreciated. I have been very unhappy with the music in my church of late and felt it was time to speak my mind. Thank you for taking the time to review my webpage and blog and for leaving such a generous comment.
-Antonia
"Who are you to tell us what we can and cannot sing and do at church? You're a nobody"
Dear Kathy, I am sure you are a lovely person and very knowledgeable in whatever your field is.
However, your theology seems a bit lacking.
I hope our hostess won't mind my filling you in on something.
I think you should know that you that as Catholics, we believe that every person is made in the image and likeness of God.
So Antonia is not a "nobody."
Any more than you are.
Very nice blog, Antonio.
God bless you in your efforts!
Forty years wandering in the liturgical music desert, but the Promised Land awaits.
(Save the Liturgy, save the World)
(Save the Liturgy, Save the World)
Dear Scelata,
Thank you for your encouraging comment; it is good to know that there are other musicians out there who are true to the Church’s teachings on Liturgical Music.
I am truly impressed with your blog so have added it to my Followers List and to My Favorite Blog links list.
-Antonia
To all who read this blog, and especially Kathy in Denver,
I stand behind Antonia's opinions regarding Church Music. She has put a lot of time and effort to get where she is today. Much of what she has to say is backed by Church teaching. You have every right to disagree with her and even the church, but your attitude stinks. I don't think your beef is with Antonia. The hardest thing about preparing liturgical music is striking a balance with the old and new. I think maybe Kathy is one of those congregants who prefers that anything goes with no rhyme or reason (pardon the pun). As a music director for many years in both the Catholic church and the Methodist church, I use many of the same principles.
Antonia, keep up the good work.
A's mom
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